Showing posts with label Abode. Show all posts
Showing posts with label Abode. Show all posts

Friday, July 19, 2013

Friday, July 5, 2013

Bloom

-?

Tuesday, May 21, 2013

Monday, April 29, 2013

Point is


Sem título: Tecelar (Untitled: Weaving) , 1956 - Lygia Pape

Sunday, March 31, 2013

Wednesday, February 27, 2013

Friday, February 22, 2013

Potted

-?

Sunday, February 10, 2013

Friday, February 1, 2013

Have a seat

 -?

Twiggy

-?

Room touches: branches in vases; tied-up pile of firewood on floor.

Sunday, January 20, 2013

Spruce


Succulent plants for my room.

Wednesday, January 9, 2013

You'd go back to

-?

Ceilings. Pseudo-floating island top. No clutter.

Friday, December 14, 2012

Tuesday, December 11, 2012

Stacks

-?

China ready to go

Thursday, December 6, 2012

Sitter


The Model A chair - Xavier Pauchard (1880-1948)

Tug

-?

Wednesday, July 11, 2012

Thursday, June 7, 2012

Singularity



Kaare Klint's special design classic – The Propeller Stool – was designed in 1930. However, it was not officially presented until the Joiners Guild Furniture Exhibition in 1964. The simple principle of the stool is a frame with crossing propeller shaped legs which - when folded - form a round stick.

Tuesday, May 15, 2012

Virtue

Dieter Rams’ “10 Commandments of Good Design” Speech

"I am convinced that a well-thought-out design is decisive to the quality of a product. A poorly designed product is not only uglier than a well-designed one but it is of less value and use. Worst of all it might be intrusive...

What is good design? Product design is the total configuration of a product: its form, color, material, and construction. The product must serve its intended purpose efficiently.

A designer who wants to achieve good design must not regard himself as an artist who, according to taste and aesthetics, is merely dressing up products with a last-minute garment. The designer must be the gestaltingenieur or creative engineer. They synthesize the completed product from the various elements that make up its design. Their work is largely rational, meaning that aesthetic decisions are justified by an understanding of the product’s purpose."